{"id":10830,"date":"2017-05-07T22:02:57","date_gmt":"2017-05-07T20:02:57","guid":{"rendered":"http:\/\/www.jffh.de\/2017\/colonel-panics\/"},"modified":"2017-05-31T14:29:52","modified_gmt":"2017-05-31T12:29:52","slug":"colonel-panics","status":"publish","type":"post","link":"https:\/\/archiv.jffh.de\/en\/2017\/colonel-panics\/","title":{"rendered":"Colonel Panics"},"content":{"rendered":"<p><!-- JFFH_2017-011_0771c87fa7a8029416e155a7f1873ec6 --><\/p>\n<div style=\"text-align: right;\">\n<span style=\"color: #FF5050; font-weight: bold; font-size: 120%;\">\u30ab\u30fc\u30cd\u30eb\u30d1\u30cb\u30c3\u30af &bull; Kaaneru Panikku<br \/>by Cho Jinseok<br \/>2016 &bull; 96 min &bull; OmeU &bull; Big Panic Pty Ltd<\/span><br \/>\n<i>with Usuke Miyawaki, Tia Tan, Sasa Handa, Satomi Hiraguri, Suguru Minami<\/i>\n<\/div>\n<p><\/p>\n<div>\nTwo men: one of them, Kaito, lives in the present, working as a writer for a right-wing political magazine. On the surface, he appears to be an ordinary office worker. But Kaito is a stalker and secretly spies on a successful former colleague. The other man, Nagisa, is a virtual reality specialist from the future with similar inclinations as Kaito. His job is to remove programming errors in a virtual reality game. One day, however, a malicious virus begins to spread and the lines between dream and reality become blurry, while at the same time present and future melt into each other.\n<\/div>\n<p><img decoding=\"async\" src=\"https:\/\/jffh.de\/wp-content\/uploads\/2017\/filmbilder\/Colonel Panics-1_600px.jpg\" title=\"Colonel Panics\"\/><br \/>\n<\/p>\n<div style=\"text-align: right;\">\n<i>Text: Nils Plambeck<\/i>\n<\/div>\n<p><\/p>\n<div style=\"text-align: right;\">\n<span style=\"color: #FF5050; font-weight: bold; font-size: 120%;\">European Premiere<\/span><br \/>\n<span style=\"color: #FF5050; font-weight: bold; font-size: 120%;\">&#9658; 3001 Kino &bull; Sonntag, 4.6.2017 &bull; 14:30 Uhr<\/span>\n<\/div>\n<div class=\"twoclick_social_bookmarks_post_10830 social_share_privacy clearfix 1.6.4 locale-en_US sprite-de_DE\"><\/div><div class=\"twoclick-js\"><script type=\"text\/javascript\">\/* <![CDATA[ *\/\njQuery(document).ready(function($){if($('.twoclick_social_bookmarks_post_10830')){$('.twoclick_social_bookmarks_post_10830').socialSharePrivacy({\"services\":{\"facebook\":{\"status\":\"on\",\"txt_info\":\"2 Klicks f\\u00fcr mehr Datenschutz: Erst wenn Sie hier klicken, wird der Button aktiv und Sie k\\u00f6nnen Ihre Empfehlung an Facebook senden. 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N\\u00e4heres erfahren Sie durch einen Klick auf das <em>i<\\\/em>.\",\"settings_perma\":\"Dauerhaft aktivieren und Daten\\u00fcber-tragung zustimmen:\",\"info_link\":\"http:\\\/\\\/www.heise.de\\\/ct\\\/artikel\\\/2-Klicks-fuer-mehr-Datenschutz-1333879.html\",\"uri\":\"https:\\\/\\\/archiv.jffh.de\\\/en\\\/2017\\\/colonel-panics\\\/\",\"post_id\":10830,\"post_title_referrer_track\":\"Colonel+Panics\",\"display_infobox\":\"on\"});}});\n\/* ]]> *\/<\/script><\/div>","protected":false},"excerpt":{"rendered":"<p>\u30ab\u30fc\u30cd\u30eb\u30d1\u30cb\u30c3\u30af &bull; Kaaneru Panikkuby Cho Jinseok2016 &bull; 96 min &bull; OmeU &bull; Big Panic Pty Ltd with Usuke Miyawaki, Tia Tan, Sasa Handa, Satomi Hiraguri, Suguru Minami Two men: one of them, Kaito, lives in the present, working as a writer for a right-wing political magazine. On the surface, he appears to be an ordinary [&hellip;]<\/p>\n","protected":false},"author":88889,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[104],"tags":[],"series":[],"_links":{"self":[{"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/posts\/10830"}],"collection":[{"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/users\/88889"}],"replies":[{"embeddable":true,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/comments?post=10830"}],"version-history":[{"count":11,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/posts\/10830\/revisions"}],"predecessor-version":[{"id":12092,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/posts\/10830\/revisions\/12092"}],"wp:attachment":[{"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/media?parent=10830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/categories?post=10830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/tags?post=10830"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/archiv.jffh.de\/en\/wp-json\/wp\/v2\/series?post=10830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}